Group Exhibition
Opening on 4th March 2022
On view until 1st April 2022
Manijeh Armin- Tajsar Jafari- Marjan Hoshiar- Koosha Moossavi- Arezoo Shahdadi- Shahrzad Araghinejad- Mehdi Farhadian- Allahyar Najafi- Parsoua Mahtash- Mohammad Eskandari- Nastaran Safaei- Parisa Taghipour- Mahya Giv- Maryam Farshad- Sara Tavana- Rene Saheb- Manijeh And Parisa Hejazi- Salé Sharifi
A Flower Blossoms for its Own Joy.
Oscar wildeWe celebrate the arrival of the Iranian New Year and a New Century by showcasing works of artists whose practice is mostly influenced by nature. On this occasion, it is fitting to quote an Ode to A Garden Carpet – By an unknown Sufi Poet (Circa 1500):
Here in this carpet lives an ever-lovely spring, un-scorched by summer’s ardent flame, safe too from autumn’s boisterous gales, Mid winter’s cruel ice and snow, ‘Tis gaily blooming still. Eyes hot-seared by desert glare find healing in its velvet shade. Splashing foundations and rippling pools in cool retreats, sore-wearied limbs restore, and tired hearts awaken with joy. The way was cruel.
Baffled by monotony and mocked by phantoms, delirious, beset by stalking death in guises manifold; The dreaded jinns, the beasts ferocious, the flaming heat and the exploding storms; from all these perils here at last set free; in the Garden all find security.
Here the long-laboring Earth, at last, gives birth. From apparent death, a new and lovely world is born; the jacinth imprisoned lies below the desert’s dusty floor. The stony wilderness is so bleak and bare, in ageless patience broods, aware of life within, the promise of fertility and abundance. Ever longing for deliverance. The world, at last, reveals its destiny.
Can we not then capture and restore The loveliness that gave us hope, still brightly mirrored on memory’s gliding waters or snared in the poets’ invisible net, so wide, so fragile, yet captor and conqueror of realities elusive?
Wrought in gold and azure, bright as carved metal. Dream-like foliage in sparking tones is caught, or else, in sumptuous shades of glossy lacquer, quiet but intense; in muffled browns and honey pure, Jasper cool and mellow cinnabar, that fairyland comes real again.
In sudden collisions, find sweet embrace; in rhythms enchanting, with stately pace, rollicking speed; emerging, retreating, reversing, in peaceful finality. Their conflicts reconcile, all in confederation blending like a chorus in part-song gladly singing, In contrapuntal play rejoicing, floating soft or wildly free, yet anchored in eternity.